Beyond Figuration: Then and Now: Group Exhibition
Championing women in abstract art from across the generations.
The canon of art history often refers to the abandonment of imitative practices as having roots in the Romantic period. This period saw the initial disruptions of representation over imagination. Shortly afterwards, at the dawn of the 20th Century and with the birth of psychoanalysis, a fascination with the study of the subconscious mind began to seize all sectors of intellectual thought, from science to art. Abstraction emerged as a way to represent the subconscious and to purify human emotion and thought.
Women have often been pioneers of abstraction, and yet their contribution has historically been marginalised and overshadowed by their male counterparts. Only recently have their names been fairly recognized within the canon of abstract art. Going beyond the predominantly white, male painters who are synonymous with the genre, the paintings in this exhibition demonstrate how female artists were, and still are, essential in the development of abstraction.
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Fiona Rae, Predator, 1998
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Eileen Agar, Constructivist Composition, 1931
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Paule Vézelay, White and Cream Form with Three Circles, 1952
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Bridget Riley, Untitled Fragment (5/8), 1965
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Berenice Sydney, Untitled No.15, 1969
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Berenice Sydney, Untitled No.2, 1966
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Megan Baker, The Sweetness of Being, 2023
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Savannah Marie Harris, Under your Spell , 2023
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Jemima Murphy, Ineffable Blooms, 2023
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Jemima Murphy, Into the Light, 2023
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A'Driane Nieves, The Chariot, 2023
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A'Driane Nieves, The Tower and Temperance, 2023
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Bokani, We're the ones we've been waiting for VI, 2023
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Manon Steyaert, Curious Drapes II, 2021
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Manon Steyaert, Untitled, 2023