LaVette's practice borrows attributes from Rococo aesthetic, characterised by elaborate and ornamental decorations, lightness, delicate chromatic palette and a focus on the fantastical. Mythological and folkloristic inspiration is also of major relevance to LaVette's artistic enquiry, for she is interested in scrutinising old tales to reevaluate their relevance today.
Colette LaVette's paintings narrate the story of a mystical realm, where utopia and dystopia are intertwined in the lyrical portrayal of human nature. With biomorphic forms emerging from intuitive, expressionist marks, LaVette's paintings continue to provide intrigue as new elements are discovered each time they are viewed. The artist's aim is to provoke in the viewer a sort of visceral introspection, using the exploration of the concept of 'Primitivism' to prompt the audience to think about our disposition outside of societal rules, reconnecting to nature and consequently to ourselves and the people who came before us, as well as to those who will come after.
This notion of Primitivism is evident in all aspects of LaVette's oeuvre, from her choice of colours and medium, to her compositions and influences. Most notably, LaVette employs a plethora of natural pigments which, being taken directly by nature, emulate the muted tones that accompanied mankind in its evolution and in some cases were even used in prehistoric cave paintings. LaVette's practice borrows attributes from Rococo aesthetic, characterised by elaborate and ornamental decorations, lightness, delicate chromatic palette and a focus on the fantastical. Mythological and folkloristic inspiration is also of major relevance to LaVette's artistic enquiry, for she is interested in scrutinising old tales to reevaluate their relevance today.
Colette LaVette's work features in private collections in the UK, US, Europe and Asia; these include, amongst others, Raffles OWO Ballroom, London, La Fantasie, Paris, Paul Smith, London and a large mural in The Hoxton Hotel in Shepherd's Bush, London.
